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ntozake shange



ntozake shange for colored girls....

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I Had a Dream about Ntozake Shange




(pronounced en-to-zaki shong-gay)

1948-

BIOGRAPHICAL INFORMATION

Ntozake Shange was born Paulette Williams in Trenton, New Jersey on October 18, 1948. In 1971 she changed her name to Ntozake Shange which means "she who comes with her own things" and "she who walks like a lion" in Xhosa, the Zulu language. Her father was an Air Force surgeon and her mother was an educator and a psychiatric social worker. The Williams were upper middle class African Americans whose love of the arts contributed to an intellectually stimulating childhood for Shange and her three siblings. Dizzy Gillespie, Miles Davis, Chuck Berry, and W. E. B. Du Bois were among the frequent guests at her parents' house.

In 1966 Shange enrolled at Barnard College and separated from her husband, a law student. She attempted suicide several times. Nonetheless, she graduated cum laude in American Studies in 1970 and entered the University of Southern California at Los Angeles, where she earned a master's degree in American Studies in 1973.

While living in California and teaching humanities and women's studies courses at Mills College in Oakland, the University of California Extension, and Sonoma State College, Shange began to associate with poets, teachers, performers, and black and white feminist writers who nurtured her talents. Shange and her friends began to perform their poetry, music, and dance in and around the San Francisco Area. Shange also danced with Halifu Osumare's company. Upon leaving the company she began collaborating with Paula Moss on the poetry, music, and dance that would become for colored girls Moss and Shange left California for New York and performed for colored girls in a Soho jazz loft and later in bars in the lower East Side. Producer Woodie King Jr. saw one of these shows and helped director Oz Scott stage the choreopoem Off-Broadway at the New Federal Theatre where it ran for eight months, after which it moved to the New York Shakespeare Company's Anspacher Public Theatre, and then to the Booth Theatre.

In addition to her plays, she has written poetry, novels, and essays. She has taught at California State College, the City College of New York, the University of Houston, Rice University, Yale, Howard, and New York University. Among her many awards are an Obie, a Los Angeles Time Book Prize for Poetry, and a Pushcart Prize.

PLAYS

"for colored girls who have considered suicide/when the rainbow is enuf: a choreopoem"-1975
First produced in New York City at Studio Riobea in 1975; produced Off-Broadway at the Anspacher Public Theatre in 1976; produced on Broadway at the Booth Theatre that same year.
"A Photograph"-1977
First produced Off-Broadway at the Public Theatre.
"Boogie Woogie Landscapes"-1979
First produced in New York at Frank Silvera's Writers' Workshop; first produced on Broadway at the Symphony Space Theatre in 1978.
"Spell #7"-1979
First produced Off-Broadway at Joseph Papp's New York Shakespeare Festival Public Theatre.
"Black and White Two Dimensional Planes"-1979
First proudced in New York at Sounds in Motion Studio Works.
"Mother Courage and Her Children"-1980
An adaptation of Brecht's play; first produced Off-Broadway at the Public Theatre, directed by Shange.
"Three for a Full Moon" and "Bocas"-1982
First produced at the Mark Taper Forum in Los Angeles.
"Educating Rita"-1982
Adapted from Willy Russell's script; first produced at the Alliance Theatre in Atlanta.
"Three views of Mt. Fuji"-1987
First produced in San Francisco at the Lorraine Hansberry Theatre; first produced in New York at the New Dramatists.

AWARDS

"for colored girls...."
Obie Award, Outer Circle Critics Award, Audelco Award; and Tony, Grammy, and Emmy Award nominations, 1977
"Mother Courage and Her Children"
1981 Obie Award

CRITICAL/BIOGRAPHICAL RESOURCES

For full citations of the books listed, follow links to the Resources Page.

Books marked with book covers or a are linked to Amazon.com records.

African American Women Playwrights: A Research Guide

A Bibliographical Guide to African-American Women Writers

Black Writers

Black Playwrights

The Cambridge Companion to American Women Playwrights

Contemporary African American Female Playwrights

Contemporary Black American Playwrights and Their Plays

Contemporary Dramatists

Contemporary Literary Criticism v.8

Contemporary Women Dramatists

Dictionary of Black Theatre

Dictionary of Literary Biography v.38

Diving Deep and Surfacing

The Female Dramatist

Great Women Writers

Interviews with Contemporary Women Playwrights

Mammies No More

Nine Plays by Black Women

Their Place on Stage

Render Me My Song: African-American Women Writers From Slavery

Women Writers and the City

Black Women Writers at Work

Masterpieces of African-American Literature

Masterplots II

Oxford Companion to African American Literature

Women Playwrights of Diversity

RESEARCH CENTERS

The Schomburg Center for Research in Black Culture

The New York Public Library for the Performing Arts


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