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| OUR inclusion
of musical files and the suggestiveness of the title notwithstanding,
Mother
Goose's Melodies were intended to be read, not sung, nor otherwise
performed to musical accompaniment.. When Munroe & Francis published
their influential collection in the 1820's and 1830's under the carnivalesque
title, Mother Goose's Melodies : the only pure edition ; containing
all that have ever come to light of her memorable writings, together with
all those which have been discovered among the mss. of Herculaneum, likewise
every one recently found in the same stone box which holds the golden plates
of the Book of Mormon. The whole compared, revised, and sanctioned, by
one of the annotators of the Goose family (whose garrulousness
may also have been intended to parody the extended titles of the previous
century), a melody could still be defined as a poem that possessed
a musical character.
In 1873, when Evert Duyckinck and Charles Moreau published Illustrations of Mother Gooses Melodies, the melodies were still presented without musical notation. In the late 1880's, one American publisher, the McLoughlin Bros., did include music in its republication, apparently in a shrewd attempt to exploit the rising popularity of inexpensive pianos and parlour organs. (Now the melodies could actually be heard! The pure had gotten purer!) This novel publication, with its cover illustration of an anthropomorphic goose sitting at the keyboard, may also betray a recognition that the rhymes of Mother Goose, with their rustic eighteenth century manners, had lost some commercial appeal and needed to be spruced up a bit. It is very likely that the sweet, vaguely familiar tunes made up for the occasion were also intended to dissemble as restorations, standing as sentimental reflections of the rhymes, which are themselves, the hokum of the title notwithstanding, unsentimental. THE tunes accompanying the rhymes on this website have been included merely as cheerful adornment. They are not intended as authentic recreations of historical settings, or musical interpretations of the text. They have been taken with permission from several MIDI websites credited below. |
| RHYME | COMPOSITION | COMPOSER | SOURCE |
| There Was A Mad Man | Fumeux fume Rondeau (1:21) | Solage (late 14th century) | G. Rich; Classical MIDI Archives |
| Two Blind Men | Air Angloise (2:04) | Anonymous | D. Lovell; Classical MIDI Archives |
| Richard and Robin | Oh, Robin (1:15) | William Cornyshe
(1465-1523) |
Julio Feliz
MidiWorld |
| One Misty, Moisty Morning | Song of the Ass (1:20) | Anonymous (before 1300) | Curtis Clark Renaissance Band |
| There Was An Old Woman Tossed Up In a A Blanket | Sakura (1:05) | Anonymous Japanese Folk Song | D. Lovell; Classical MIDI Archives |
| Once In My Life, I Married A Wife | Gavotte (:43) | Robert de Visee (c.1650-c.1725) | Mauricio Fabbri
MidiWorld |
| There Was An Old Woman, She Lived in A Shoe | Wie bin ich doch so herrlich froh (:53) | JS Bach
(1685-1750) |
David Nathan Huizinga |
| There Was A Man In Our Town | The Shepherd's Hey (:49) | Anonymous Morris Dance | Curtis Clark Renaissance Band |
| There Was A Man And He Had Naught | Duet: The Flatt Pavin (1:24) | John Johnson
(d. 1595) |
D. Lovell; Classical MIDI Archives |
| To Bed, To Bed | Baloo Loo Lammy (1:33) | Anonymous Scottish Folk Song | D. Lovell; Classical MIDI Archives |
| Jemmy Jed Went Into A Shed | Country jig (:40) | Anonymous English Country Dance | Curtis Clark Renaissance Band |
| Three Wise Men of Gotham | Song from Le Jeu de Robin et Marion (:15) | Adam de la Halle (1245-50--1285-88) | Curtis Clark Renaissance Band |
| The Sow Came In With The Cradle | Sumer is Icumen in (:48) | Anonymous (13th century) | Curtis Clark Renaissancee Band |
| Jacky Come Give Me Your Fiddle | Tarleton's Resurrection (:52) | John Dowland (c.1563-1626) | D. Lovell; Classical MIDI Archives |
| There Was a Piper Had a Cow | Corn Rigs Are Bonny (1:07) | Anonymous | Bagpipes At Best |
| When Good King Arthur Ruled His Land | Good Morrow Fair Ladies (2:08) | Thomas Morley (1557-1602) | Curtis Clark; Renaissance Band |
| Pretty John Watts | Narguardame (2:44) | Luys de Narv'aez (1490-15??) | Charles K. Moss Spanish Early Music |
Sequence © Pierre R. Schwob - by permission. Original from the Classical MIDI Archives