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Hepburn, A. (2006). Getting closer at a distance: Theory and the contingencies of practice, Theory & Psychology, (16)
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Hepburn, A. & Potter, J. (2007). Crying receipts: Time, empathy and institutional practice, Research on Language and
Social Interaction, 40, 89-116.
Edwards, D., Hepburn, A. & Potter, J. (2009). Psychology, sociology and interaction: Disciplinary allegiance or analytic
quality? A response to Housley and Fitzgerald, Qualitative Research, 8, 669-678.
Potter, J. & Hepburn, A. (2010). Putting aspiration into words: ‘Laugh particles’, managing descriptive trouble and
modulating action, Journal of Pragmatics, 42, 1543-1555.
Hepburn, A. & Potter, J. (2011). Threats: Power, family mealtimes and social influence, British Journal of Social Psychology, 50, 99-120.
Hepburn, A. & Potter, J. (2011). Designing the recipient: Some practices that manage advice resistance institutional settings, Social Psychology Quarterly, 74,216-241.
Lemish, D. (2003). Spice World: Constructing femininity the popular way. Popular Music and Society 26(1), 17-29. Reprinted in Hawkins, S. (Ed.)(2011). Pop music and easy listening. Surrey, UK: Ashgate
Lerner, G. H., Bolden, G. B., Hepburn, A., & Mandelbaum, J. S. (2012). Reference recalibration repairs: Adjusting formulations for the task at hand. Research on Language & Social Interaction, 45(2), 191-212.
Lemish, D & Lahav, I. (2004). Much ado about nothing? Masculinities in Israeli advertising. Feminist Media Studies, 4(2), 149-165.
Lemish, D. (2004). My kind of campfire: The Eurovision Song Contest and Israeli gay men. Popular Communication, 2(1), 41-63. Reprinted with modifications: Lemish, D. (2007). Gay brotherhood: Israeli gay men and the Eurovision Song Contest. In I. Raykoff & R. Tobin (Eds.), A song for Europe: Popular music and politics in the Eurovision Song Contest (pp. 123- 134). Aldershot: Ashgate.