Hepburn, A. & Potter, J. (2011). Designing the recipient: Some practices that manage advice resistance institutional settings, Social Psychology Quarterly, 74,216-241.

Lemish, D. (2003). Spice World: Constructing femininity the popular way. Popular Music and Society 26(1), 17-29. Reprinted in Hawkins, S. (Ed.)(2011). Pop music and easy listening. Surrey, UK: Ashgate

Lerner, G. H., Bolden, G. B., Hepburn, A., & Mandelbaum, J. S. (2012). Reference recalibration repairs: Adjusting formulations for the task at hand. Research on Language & Social Interaction, 45(2), 191-212.

Lemish, D & Lahav, I. (2004). Much ado about nothing? Masculinities in Israeli advertising. Feminist Media Studies, 4(2), 149-165.

Lemish, D. (2004). My kind of campfire: The Eurovision Song Contest and Israeli gay men. Popular Communication, 2(1), 41-63. Reprinted with modifications: Lemish, D. (2007). Gay brotherhood: Israeli gay men and the Eurovision Song Contest. In I. Raykoff & R. Tobin (Eds.), A song for Europe: Popular music and politics in the Eurovision Song Contest (pp. 123- 134). Aldershot: Ashgate.

Lemish, D. & Cohen, A. (2005). On the gendered nature of mobile phone culture in Israel. Sex Roles, 52(7/8), 511-525.

Bloch, L-R. & Lemish, D. (2005).  I know I’m a freierit, but: The gendered nature of a key cultural frame. Journal of Communication, 55(1), 38-55.     

Elias, N. & Lemish, D. (2008). Media uses in immigrant families:  Torn between "inward" and "outward" paths of integration. International Communication Gazette, 70(1), 21-40.

Bloch, L-R. & Lemish, D. (2008). Persuasion through insult: The 'F' word in Israeli media. Media, Culture , and Society, 30(2), 239-256.

Lesk, M., “The Good, The Bad, and the Ugly: What Might Change if We Had Good DRM,” IEEE Security and Privacy, 1, 3, pp. 63-66, ACM Press, Augsburg, Germany (May-Jun 2003). See http://www.academiccommons.org/commons/essay/michael-lesk.