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“Programming Reality: Control Societies, New Subjects, and the Powers of Transformation.” Makeover Television: Realities Remodeled. Editor: Dana Heller. (I.B. Tauris, 2007, pp. 6-22)
“Activating the Multitude: Audience Powers and Cultural Studies.” New Directions in American Reception Study. Editors: Philip Goldstein and Jim Machor. (Oxford University Press, 2008, pp. 33-56)
“Spies Like Us: Secret Agency and Popular Occulture.” Secret Agents: Popular Icons beyond James Bond. Editor: Jeremy Packer. (Peter Lang, 2009, pp. 133-162)
“Counterglobalization and Other Rituals Against Empire.” Key Concepts in Critical Cultural Studies. Editors: Clifford Christians and Linda Steiner. (University of Illinois Press, 2010, pp.212-226 ). [Book won the James W. Carey Media Research Award; Carl Couch Center, 2011]
“Affective Convergence in Reality Television: A Case Study in Divergence Culture.” Flow TV: Essays on a Convergent Medium. Editors: Michael Kackman, Marnie Binfield, Matthew Thomas Payne, Allison Perlman, Bryan Sebok. (Routledge, 2010, pp. 55-74)
This course examines the philosophy and creative leadership of school library programs.
“When Collective Intelligence Agencies Collide: Public vs. Popular Intelligence and Networked Suspicions.” Everyday Life in the (Post)Global Network, Editors: Marina Levina and Grant Kien, (Peter Lang, 2010, pp. 11-26)
“Post-Marx beyond Post-Marx: Autonomism and Discourse Theory.” Discourse Theory and Critical Media Politics. Editors: Lincoln Dahlberg and Sean Phelan. (Palgrave-Macmillan, 2011, pp. 154-177)
“Sovereign Networks, Pre-emptive Transgression, Communications Warfare Case studies in Social Movement Media.” Transgression 2.0: Cultural Opposition in a Digital Age. Editors: Ted Gournelos and David J. Gunkel. (Continuum, 2011, pp. 224-239)
“From Audiences to Media Subjectivities: Mutants in the Interregnum.” Media Studies Futures: Companion to Media Studies Vol. 5. Editor: Kelly Gates. (Blackwell Press, 2013, pp. 1-30)